The Scream

The Scream by Edvard Munch. (1893) Oil, tempera and pastel on cardboard.

Painting Exhibition Open Invitation

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Socrates Death

The Death of Socrates, by Jacques-Louis David (1787).








The trial and execution of Socrates are the climax of his career and the central event of the dialogs of Plato. According to Plato, however, both were unnecessary. Socrates admits in court that he could have avoided his trial in the first place by abandoning philosophy and going home to mind his own business. After his court conviction, he could have avoided the death penalty by agreeing to pay a small fine, and once in prison he could have escaped. Socrates participated in his famous martyrdom every step of the way, and his story supplies, one way or the other, the foundation for western philosophy.

Aeneas Wilder

Untitled # 104, 2004

Wood
Variable dimensions


One of two installations made for a solo exhibition at the Aomori Contemporary Art Centre, Japan. This work consisted of 3000 lengths of wood balanced in two layers. The work was poised ready to collapse at any moment. The destruction of the initial installation was triggered by gently touching one stick of wood, setting of a chain reaction which toppled the standing sticks.

Artwork type: Installation

whatever architecture

plastic architecture
hand made architecture
selfmade architecture
readymade architecture
automatic architecture
mega architecture
self destruct architecture
anarchitecture
e-architecture
a-architecture
C architecture
architecture tonight
meloncolic architecture
stunt architecture
brown architecture
interrupted architecture
creative architecture
architecture stripe
architecture in hand
crossed architecture
hybrid architecture
sleazy architecture
dum architecture
freaky architecture
changing architecture
corrective architecture
just architecture
juicy architecture
repeated architecture
disposable architecture
flamable architecture
instant architecture
ready architecture
nonesens architecture
no man's architecture
dead architecture
bee architecture
small architecture
dawn architecture
junk architecture
pimp architecture
candy architecture
backache architecture
anamorphic architecture

Aimee Clair Layland

Three Towers, 2006

Wheel thrown white stoneware clay with slips,
oxides and an alkaline based glaze
155cm x 100cm x 50cm

Photo credit: Alan Duncan

Floor based sculptural ceramics.

Artwork type: Ceramics

Anna Morris

Composed 2, 2006

Card, oil, pigment, pencil
40cm x 112cm

Photo credit: Emily Bell



Fragile scored and oil soaked card with repeated pencil marks. The work aims to be still and contemplative, with reference to landscape in the way it evokes space and light.

Artwork type: Painting

Steve Messam

Souvenir, 2006

96 red umbrellas, stainless steel, eucalyptus, cedar
500cm x 500cm x 12,000cm

Photo credit: Thomas Cheveriat


Line of three red balls which align with the Pearl Orient Television Tower in Shanghai.

Artwork type: Installation

BOX

box
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La Ville de Demain [Morphosis]

Morphosis
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Architectures éclatées aux reliefs contradictoires, ses structures en ruban, ses porte-à-faux, volumes organiques, doubles peaux : autant de tissus connectifs, de machines vivantes écologiques impliquées dans le développement durable. La ville de demain vue par Morphosis, dans le cadre de l'exposition que lui consacre le Centre Pompidou jusqu'au 17 juillet 2006.